Category: Writing Tips

Posted in Blogging, Writing Tips

My struggle with writing Fantasy

Posted on by Shaily Agrawal

I like to call myself a story writer.

My style of writing stories is more intent on an individual’s perspective on the situation than the events themselves. Most of the times, the narrator is one of the main characters. I write about the narrator’s emotions and relationships as events unfold. Sometimes, there is no plot, just feelings…more like Poetry…

…which becomes my bane when writing Fantasy!

Fantasy requires building a different kind of world around us where I need to explain what things look like. But being inside a character’s head who is already part of the world, they can certainly not be surprised with the flying jellies and candy bars hanging from trees (Okay, that one could make a good story…). So, why would they even think or talk about it? It is like make an Indian talk about their visit to the streets of their town–it is their daily life; they ignore it.

Also, since my writing focuses on relationships, it is difficult to make a character think of both their world and their relationships at the same time.

Therein lies my biggest challenge.

In one of my recent Fantasy stories (The Ceremony), I was creating a society where the Queen held all the power over the King. She goes out fighting while he raised their only daughter to be the next Queen. The scene is about the day their daughter chooses her Consort that will allow the Princess to become the next Queen, pushing her father out of royal circle.

Expectations about relationships change in light of the society and, speaking from inside the characters head, I had to make it sound like facts of life and acceptable. All the facts that fit for a mother in a patriarchal society were fitting in here for the King.

I kept changing perspectives from third-person narrator to the King to the Princess to the Consort-wannbe because no one can know the whole story or what is going inside another person’s head. And the entire narrative changed with it based on his relationships with the world around him.

It was an experience learning how the same situation can feel so different to different people. And the story wasn’t long enough to justify multiple perspectives. So, I had to stop at one point and take a stand about who our narrator is. Considering it’s a Fantasy, I had to “stay in the character” and keep adding Fantasy references that would feel natural, though I did not go to Victorian language for creating dialogues (I was tempted to but it is beyond my skillset).

It was a struggle that kept me occupied for months.

What is your struggle when you write your pieces?

Posted in Blogging, Writing Tips

Rain Rain, Don’t Go Away

Posted on by Shaily Agrawal

I have always been interested in cultural reference in literature and how it shapes it, specially when I read someone explain Haikus that they have at least one line of “unrelated” reference to nature or seasons.

Why would a ninja (yes, ninjas often wrote Haikus) with super-high intelligence waste time in writing a piece with “unrelated” reference to nature? Doesn’t it sound weird before you even process this information? Could it be because the person writing the Haikus definition did not understand these references?

Is it because they have never really been close to the culture itself?

Seasons are related to survival of cultures that started long before irrigation techniques were invented. They are interwoven into poetry that started soon after, when people had time to ponder. Seasons bring comfort or discomfort and directly add to our joy and sorrow.

For example, in India with its oppressive heat most of the year, the smell of wet earth is considered one the most beautiful aromas. It brings out our joy. A lot Indian festivities are built around rainy season. It also brings out our loneliness when we don’t have anyone beloved to share it.

When a Hindi song explains feeling joy in raindrops, you might wonder how could we enjoy feeling chilled–that’s cultural gap.

I just found out that Indonesia has only two seasons: Rainy and Dry–they form the basis of their poetry.

There are also other cultural gaps, like when an Urdu writer spends pages and pages of his book writing pieces on his girl’s eyes, you wonder why he isn’t talking about her other body parts. Surely she has lips…nose…fingers…toes…legs and arms. May be because he never saw anything except her eyes because of the parda system.

Likewise, when an English writer writes about warm hearth and cozy houses, Indians have a problem in understanding how being warm could make you comfortable when we make it a point to open as many windows as possible. Most of us have never seen a fireplace in person, not even a proper oven. We also don’t have Autumn in most parts of India–we don’t understand it. We cannot visualise Autumn colours, falling leaves, gathering for the harsh winter and saving for a rainy day.

I recently saw a book, brilliant idea and amazing plot, where the writer tried to replicate Chinese culture. While the storytelling itself was amazing, there were parts that didn’t fit–some of the cultural references were wrong–minor misses that felt like a wood splinters stuck in skin. I couldn’t help thinking about them until enjoying the book became impossible.

So, the point is…

Actually, I don’t know what the point really is…

May be, this is just a reminder that not everyone will understand our stories unless we explain a few things better; and that if we are writing about another culture, we should get the cultural references right–even minor one. Also that if, as readers, we are missing context, it is good to research the culture or just ask the writer. 😀

What do you think of missed cultural reference?

Posted in Random Thoughts, Writing Tips

Learn from the Masters: Sketching a Character

Posted on by Shaily Agrawal

Author’s note: I have always loved To Kill a Mockingbird by Harper Lee. I never tried to dissect the love to understand why until recently. When I was reading it for the nth time, I realised…

The book sketches innumerable characters from a small town, I am not into documentaries and the entire thing should have been absolutely boring and I shouldn’t have been able to distinguish between characters. But I love it. The character sketch is woven into story and narrator’s interactions with them. It brings out not just the physical traits but the entire personality. Here are couple of excerpts.

“We lived on the main residential street in town—Atticus, Jem and I, plus Calpurnia our cook. Jem and I found our father satisfactory: he played with us, read to us, and treated us with courteous detachment.

Calpurnia was something else again. She was all angles and bones; she was nearsighted; she squinted; her hand was wide as a bed slat and twice as hard. She was always ordering me out of the kitchen, asking me why I couldn’t behave as well as Jem when she knew he was older, and calling me home when I wasn’t ready to come. Our battles were epic and one-sided. Calpurnia always won, mainly because Atticus always took her side. She had been with us ever since Jem was born, and I had felt her tyrannical presence as long as I could remember.”

“Dill was a curiosity. He wore blue linen shorts that buttoned to his shirt, his hair was snow white and stuck to his head like duckfluff; he was a year my senior but I towered over him. As he told us the old tale his blue eyes would lighten and darken; his laugh was sudden and happy; he habitually pulled at a cowlick in the center of his forehead.

When Dill reduced Dracula to dust, and Jem said the show sounded better than the book, I asked Dill where his father was: “You ain’t said anything about him.”

“I haven’t got one.”

“Is he dead?”

“No…”

“Then if he’s not dead you’ve got one, haven’t you?”

Dill blushed and Jem told me to hush, a sure sign that Dill had been studied and found acceptable.”

Also, the author was not in a hurry to give away everything at the beginning. It is almost half way through the book when you realise that Calpurnia is black and Dill’s character sketch waits until we are a couple of pages through with him.

Let’s learn from the masters.